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Paul Delaroche

1797-1856 French Paul Delaroche Locations Painter and sculptor, son of Gregoire-Hippolyte Delaroche. Though he was offered a post in the Bibliotheque Nationale by his uncle, Adrien-Jacques Joly, he was determined to become an artist. As his brother Jules-Hippolyte was then studying history painting with David, his father decided that Paul should take up landscape painting, and in 1816 he entered the Ecole des Beaux-Arts to study under Louis-Etienne Watelet (1780-1866). Having competed unsuccessfully for the Prix de Rome for landscape painting, he left Watelet studio in 1817 and worked for a time with Constant-Joseph Desbordes (1761-1827). In 1818 he entered the studio of Antoine-Jean Gros, where his fellow pupils included Richard Parkes Bonington, Eugene Lami and Camille Roqueplan.

Paul Delaroche Young Christian Martyr painting


Young Christian Martyr
Young Christian Martyr
Painting ID::  952
  1855 170.5 x 148cm / 67.12" x 58.26" Louvre, Paris
  1855 170.5 x 148cm / 67.12" x 58.26" Louvre, Paris

 

 
   
      

Paul Delaroche

1797-1856 French Paul Delaroche Locations Painter and sculptor, son of Gregoire-Hippolyte Delaroche. Though he was offered a post in the Bibliotheque Nationale by his uncle, Adrien-Jacques Joly, he was determined to become an artist. As his brother Jules-Hippolyte was then studying history painting with David, his father decided that Paul should take up landscape painting, and in 1816 he entered the Ecole des Beaux-Arts to study under Louis-Etienne Watelet (1780-1866). Having competed unsuccessfully for the Prix de Rome for landscape painting, he left Watelet studio in 1817 and worked for a time with Constant-Joseph Desbordes (1761-1827). In 1818 he entered the studio of Antoine-Jean Gros, where his fellow pupils included Richard Parkes Bonington, Eugene Lami and Camille Roqueplan.

Paul Delaroche Young Christian Martyr painting


Young Christian Martyr
Young Christian Martyr
Painting ID::  62863
  171 x 148 cm Musee du Louvre, Paris The Nazarenes painted quasi-devotional portraits of each other and their ideal wives or longed-for lovers, often doomed to early death from common diseases of the time. Perhaps the most extreme expression of this sentiment occurs in a series of religious pictures painted by Delaroche after the death of his wife, Louise Vernet, in 1845. In the finest and strangest of these, the Young Christian Martyr, her features float on the dark waters of the Tiber, lit by the halo of sainthood. Artist: DELAROCHE, Paul Title: Young Christian Martyr , painting Date: 1801-1850 French : religious
  171 x 148 cm Musee du Louvre, Paris The Nazarenes painted quasi-devotional portraits of each other and their ideal wives or longed-for lovers, often doomed to early death from common diseases of the time. Perhaps the most extreme expression of this sentiment occurs in a series of religious pictures painted by Delaroche after the death of his wife, Louise Vernet, in 1845. In the finest and strangest of these, the Young Christian Martyr, her features float on the dark waters of the Tiber, lit by the halo of sainthood. Artist: DELAROCHE, Paul Title: Young Christian Martyr , painting Date: 1801-1850 French : religious

 

 
   
      

Paul Delaroche
1797-1856 French Paul Delaroche Locations Painter and sculptor, son of Gregoire-Hippolyte Delaroche. Though he was offered a post in the Bibliotheque Nationale by his uncle, Adrien-Jacques Joly, he was determined to become an artist. As his brother Jules-Hippolyte was then studying history painting with David, his father decided that Paul should take up landscape painting, and in 1816 he entered the Ecole des Beaux-Arts to study under Louis-Etienne Watelet (1780-1866). Having competed unsuccessfully for the Prix de Rome for landscape painting, he left Watelet studio in 1817 and worked for a time with Constant-Joseph Desbordes (1761-1827). In 1818 he entered the studio of Antoine-Jean Gros, where his fellow pupils included Richard Parkes Bonington, Eugene Lami and Camille Roqueplan.
Young Christian Martyr
171 x 148 cm Musee du Louvre, Paris The Nazarenes painted quasi-devotional portraits of each other and their ideal wives or longed-for lovers, often doomed to early death from common diseases of the time. Perhaps the most extreme expression of this sentiment occurs in a series of religious pictures painted by Delaroche after the death of his wife, Louise Vernet, in 1845. In the finest and strangest of these, the Young Christian Martyr, her features float on the dark waters of the Tiber, lit by the halo of sainthood. Artist: DELAROCHE, Paul Title: Young Christian Martyr , painting Date: 1801-1850 French : religious

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